Often late in the evening when I am working alone. Especially new ideas and demo work comes to me often at night. There’s something about the silence of the world at that time that I find really inspiring, I even started a series of unplugged sessions for my Patreons called “Midnight Sessions” that I record spontaneously in the middle of the night. But for final takes and more planned and polished things I tend to record early afternoon – I am definitely not a morning person.

It depends on the project I’m working on, but for production, I tend to use a hybrid approach. I use hardware to generate sounds, and lately, I’ve been using Iridium the most. I then process the sounds through my Eurorack modules, such as Cwejman MMF2 filter, MBC3, and AJH modules, as well as the Midas console and the outboard Monster 2 tube compressor from Looptrotter. Finally, I mix and edit everything in Ableton Live. As for sequencing, it varies depending on the project. For the recent album I worked on with Jason Hausman creating jingles for NPR Radio, I used data sonification and Max8 to sequence and generate CV modulation. When working on audiovisual experiences in Unity or Decentraland SDK, I like to let the audience and players control the mixes or trigger sounds in an interactive way.

While releasing some singles and collabs I’ve been working on my second album “Ocean Inside Of Me” for over year now. It’s my most personal project to date revolving around mental health and the journey to self love. Sonically it’s more atmospheric and indie folky than my previous music. I genuinely feel like I am making exactly the music that I want to make and I can’t wait to share the first single of the album this autumn.